2012 Book 137: Kafka on the Shore
Written by Haruki Murakami; Narrated by Sean Barrett and Oliver Le Sueur
Reason for Reading: In order to increase awareness of speculative fiction authors-of-color for A More Diverse Universe blog tour, I have read and reviewed Kafka on the Shore, by Haruki Murakami, which is Japanese magical realism / surrealism. This is one of the 1001 Books You Must Read Before You Die, and it won “best novel” for the World Fantasy Award in 2006.
Kafka on the Shore follows two seemingly unrelated characters whose stories collide in surreality. The first character is a 15-year-old runaway boy who has renamed himself Kafka Tamura. Kafka runs away from his father for reasons that slowly reveal themselves as the plot thickens. He ends up in an obscure library, where he must overcome a dark curse. The second character is Nakata, an old man who suffered an injury as a child and lives as on a stipend for the mentally disabled. Nakata may not be very smart, but he can talk to cats, and he has an uncanny ability to accept surreal events at face value, thus providing a unique perspective to the strange plot twists. Kafka on the Shore highlights the extreme effects alienation can have on a person’s psyche. It had some VERY dark undercurrents (and even one scene of brutality that was quite shocking). It was a fascinating story, but after thinking about it for several days, I’m still unable to figure out quite what it meant. Perhaps it was only an expression of dark loneliness and nothing more? Whether I’m missing the deeper meaning or not, I greatly enjoyed reading my first Murakami book, and look forward to reading many more of these fascinating works.
About the Author
Haruki Murakami was born in Kyoto, Japan in 1949 to parents who taught Japanese literature. Murakami was greatly influenced by Western culture. His “modernist” books invoke an interesting mixture of classical music, Western literature, and Japanese culture. Like many surreal / modernist writers, his novels depict alienation, loneliness, and trauma.
It’s interesting that I followed up The Blind Owl with Kafka on the Shore. Both are Asian surrealism (which I haven’t read too very much of) and both have explicit use of the Oedipus complex. Is the Oedipus complex a common characteristic of surreal literature? Or a common characteristic of Asian modernist fiction? Or maybe the Oedipus complex is a defining characteristic of alienated characters? Maybe it was just a coincidence. I guess I’ll see as I read more of these types of books. 🙂 I have decided to include Kafka on the Shore in the R.eaders I.mbibing P.eril VII challenge because of the unexpected dark undercurrents.