The Serpent King, by Jeff Zentner

The Serpent King, by Jeff Zentner
Dill is no stranger to hardship. He’s dirt poor, financially supporting his mother, and seems to have zero future prospects. His father, a snake-handling preacher, is in prison; many of his former parishioners blame Dill. Yet Dill has two things that keep him getting up in the morning – his friends Travis and Lydia. The three are strikingly different but are pushed together by their mutual status as social outcasts. 

This is a story about friendship, futures, and fighting. It’s the first book in a long time that’s made me just start bawling – I generally avoid crying if I can, but this book deserved a good cry. It was that moving. I didn’t just feel for Dill and his friends, I felt with them – which is saying a lot since I personally have not experienced most of the hardships that Dill and his friends were going through. 

The characterization and mood of this book were what made it amazing. The characters were real. They were flawed. They got angry for stupid reasons or were sometimes bossy and blind to the needs of others. Yet they were perfect. They were just what good friends should be. They knew how to love, how to inspire, how to live. The mood of the book was remarkably well-kept. It somehow mixed the darkness of hardship with the light of an amazing friendship. 

Overall, I would recommend this book to anybody who likes gritty teen realism. Personally, I volunteer for a texting crisis hotline for teenagers, and I find reading books like these helps me to better relate to the teens that text in. I am currently collecting books that I think would either be good to recommend to troubled teens, or help others in the crisis center to empathize with teens in crisis. I consider this an important collection, and carefully think about each book that I include. This one is a definite yes. Issues that I consider important in this book – religious extremism (and how it impacts youths), family members in prison, bullying, grief, mental illness, and coping mechanisms. 


Let Me In, by John Ajvide Lindqvist

Let Me In, by John Ajvide Lindqvist, narrated by Steven Pacey

Oskar, a 12-year-old boy, is bullied by his schoolmates. He spends his time fantasizing about revenge and stabbing trees with a knife. He obsesses about violent crimes, keeping a notebook of newspaper clippings. One day, a strange girl and her father move in next door. She seems quite unaware of social norms and completely immune to getting cold. Her father and she argue loudly and frequently, which Oskar can hear through his wall. Despite the fact that she tells him they can’t be friends, Eli and Oskar soon form a bond. She encourages him to stand up to his bullies, and he starts growing in self-confidence. But strange murders are suddenly occurring in his neighborhood, and Oskar begins to suspect that Eli is more than he thought she was. 

I have been interested in reading this book after reading a fascinating short story of his a few years ago. This book did not disappoint. It was eerie and consuming. It was also very gruesome, and it has some graphic child-sexual-abuse scenes, so beware. Luckily, I had read reviews of this book beforehand and already knew about the child abuse, so I was not quite as repulsed by it. However, this book lost an entire star because of the child-sexual-abuse, which didn’t appear at all in the movies and wasn’t absolutely necessary. The child abuse did help develop the character of Eli’s father as a disgusting and pathetic failure, but I think both attributes could have been manged in other ways. Or, at least, without the graphic scenes.

In general, I am pleased with Lindqvist’s style – it is mysterious and flows well. The characters were well-drawn and believable (in a there-be-vampires sort of way). There dark, dreary mood was set early in the book and retained steadily throughout. There was nothing particularly original about Lindqvist’s vampire, though Eli had some original personality traits and circumstances. Also, I’ve seen this book described as a romance, and I don’t agree with that. Yes, Oskar asked Eli to “go steady,” but that was about it. I mean, he was 12, and those feelings were very naive and not pronounced. This was a book about friendship, not romance.

Overall, I was pleased with the book and would read another by Lindqvist, though I’ll probably wait before I can get through another that has sexual abuse in it. The audiobook was well-read – the voices were distinguishable and the pacing was quite reasonable.
3.5 stars for flow, eeriness, mystery – star lost for child sexual abuse