|Cotillion, by Georgette Heyer, narrated by Phyllida Nash|
The Chimes, by Charles Dickens
|The Chimes, by Charles Dickens, narrated by Richard Armitage|
Shada, by Douglas Adams and Gareth Roberts
|Shada: Doctor Who, the Lost Adventure
By Douglas Adams and Gareth Roberts
Narrated by Lalla Ward and John Leeson
|I’m going to have to give this book 3.5 snowflakes because I prefer books that have more characterization and world-building. But I also recognize that this is not what tv novelizations are meant to have.|
Let Me In, by John Ajvide Lindqvist
|Let Me In, by John Ajvide Lindqvist, narrated by Steven Pacey|
|3.5 stars for flow, eeriness, mystery – star lost for child sexual abuse|
Bloodchild and Other Stories, by Octavia E. Butler
Her stories were incredibly creative. They covered important issues like race, slavery, sexuality, and identity, all in the guise of alien occupation or dystopic disease and other dark fantasy themes. Her prose was smooth and eloquent.
The most interesting of the stories was her novella Bloodchild, which is about a child that is about to be “sexually” adopted by some alien worm-thing. The story encompassed the feelings of the boy, his mother, and the alien – providing some very startling insight.
After each story, Butler included a short essay of what she intended the story to mean or background in her life when the story was written. These brought further understanding to the story, though I was a little skeptical when she insisted that she hadn’t intended Bloodchild to be about slavery. But, I guess, sometimes meanings creep in there unintended. And there’s also something to say for the readers’ interpretation regardless of intended meaning. To me, slavery was one of the many underlying themes of the story.
At the end of the book, Butler included a couple of essays about what it was like being an African American science fiction author, and encouraged young people to follow their dreams and become authors. Finally, there were a couple of never-before-published stories.
This little book is well worth your time if you are interested in deeper cultural issues of race, slavery, and sexuality – possibly even if you are not specifically interested in science fiction and fantasy.
|For pure brilliance|
Octavia E. Butler was born in 1947 into an impoverished African American community to a 14-year-old girl. Despite struggling with dyslexia, she had a passion for reading and writing ever since she was very young. As a teenager, she started attempting to publish her stories, despite the extreme difficulty for African Americans publishing science fiction / fantasy. At the time she was one of only a couple African American sci-fi writers. Despite being taken advantage of by money-hungry agents, she finally published Patternmaster in 1976. This book was praised for its powerful prose, and she ended up writing four prequels. She finally became mainstream upon publication of Kindred in 1979. Butler died outside of her home in 2006.
The Coldest Girl in Coldtown, by Holly Black
2015 Media #6 / Book #3: The Coldest Girl in Coldtown, by Holly Black
Reason for reading: This was the January pick for my bookclub.
Summary: In this near-future book, vampires have emerged into the public eye due to an outbreak started by a sloppy newly-made vampire who left his victims living instead of completely draining them. Vampires, and the Cold (people infected with the vampirism disease, but who haven’t yet tasted the blood of humans and so haven’t turned) are forced to live in ghettos called Coldtowns. In this setting, the story starts out with Tana waking up to a vampire-related disaster, which begins both a physical journey away from the disaster and a spiritual journey of self-discovery.
What I thought: This book was fast-paced and difficult to put down. It asked some interesting philosophical questions. Do we all have monsters within us? Do we crave immortality and beauty at the price of humanity? If not, why are so many people attracted to paranormal romances? Is it because we want the ultimate bad-boy? Or, in the opposite line of questioning, why do so many people seek good in what seems evil?T
Fire & Ash
Fire & Ash, by Jonathan Maberry
Reason for reading: This is the fourth and final book in a series that I’ve been reading. I’m making a goal this year to get farther in / finish as many series as possible
Summary: In this fourth and final book in the Rot & Ruin series, Benny, Chong, Lila, and Nix battle the genocidal Reapers while keeping the zombies at bay. But they might have to become monsters to fight monsters. And who is more of a monster: The zombies or the humans?
Thoughts: This book was filled with action and adventure with a dash of intrigue. Like most Maberry books that I’ve read, the action got a little too much at times, to the point of feeling a little B-rate. But Maberry has some interesting plots and his philosophy about who really is the monster is quite interesting. Overall, a good finale. If you liked the first three books, you’ll like this one as well.
Hero’s Lot, by Patrick W. Carr
The Hero’s Lot, by Patrick W. Carr
Genre: Young Reader Christian Fantasy
Reason for Reading: This is the second book in a series I began last year. The first was quite interesting – reviewed here – and I’m eager for the third to come out later this year.
Synopsis: In this second book of The Staff and the Sword series, Errol is compelled by powerful members of the conclave to go to a dangerous land and kill the traitor Sarin Valon. With a mixture of stubbornness and bravery, the princess follows Errol on his dangerous journey.
My thoughts: This book didn’t have quite the flare of the first in the series, but it was nevertheless quite enjoyable. The adventure was much more clearly laid out in this book, which made it less mysterious than the first, but the plot was thicker as a result. The story emphasizes the importance of forgiveness, and raises interesting questions about whether Church authority is “good” just because it follows conservative values that have worked for centuries. I tend to believe that Carr’s church is symbolic for the Catholic Church, and the hints of church-shattering philosophical changes that will come in the next book symbolize the conversion to Protestantism or perhaps simply the disgust many people have these days about the sex scandals in the Catholic Church. However, that’s a message intended for adults, I suspect, and the target audience – ages 12-15 will probably mostly miss it. The dangerous foreign land that Errol traveled to clearly symbolized Egypt / Muslims – Carr included some rather direct hints to that effect. I felt a little sad that the people of that land were generalized as evil, except for those that had been converted by God’s Christian word. Those few characters who weren’t pure evil seemed rather weak and a little selfish. Messages like this always make me sad – especially in children’s books – but I understand that it’s difficult to write an epic fantasy without having a hint of xenophobia. Someone has to be “evil” right? I’m not sure how this problem can be gracefully avoided. At the very least, there were “bad” people and “good” people on both sides of the border, which is as much as I can rightfully wish for, I suppose. 🙂