|Mrs. Dalloway, by Virginia Woolf
Narrated by Juliet Stevenson
|The War of the Worlds, by H. G. Wells
Narrated by Greg Wagland
|Sons (The Good Earth Book 2)
by Pearl S. Buck, narrated by Adam Verner
|Women’s Classic Literature Event
Hosted by the Classics Club
- Persuasion, Jane Austen
- The Bell Jar, Sylvia Plath
- The Collected Poems of Sylvia Plath
- Ten Days in a Mad-House, Nellie Bly
- North and South, Elizabeth Gaskell
- Middlemarch, George Elliot
- Jane Eyre, Charlotte Bronte
- Cotillion, Georgette Heyer
|3.5 stars for excellent research and being a classic reference book for Gilgamesh Epic.|
|English version with an introduction by N. K. Sandars|
|The Norton Critical Edition
Translated and edited by Benjamin R. Foster
|The Gilgamesh Epic and Old Testament Parallels
by Alexander Heidel
I wasn’t a huge fan of this translation, though it’s a classic that many scholars use as one of their base translations. It, like the Foster translation, is in fragmented verse. Only, it didn’t have the annotations. And the typeset in my book was difficult to read. I’d say the benefit of reading this book rather than the Norton Critical Edition is that it is a classic translation and includes Heidel’s analysis about Old Testament parallels.
|Stephen Mitchell’s adaptation of Gilgamesh Epic –
adapted from several translations in English
Read by George Guidall
Le Fanu, J Sheridan. (2010) Carmilla: A Vampyre Tale [BBC Audio Version. Follows, Megan (na).] Retrieved from audible.com.
First, they set out to defeat the beast Humbaba, whom the god Enlil had appointed protector of the forest. Once conquered, Humbaba begged for mercy. But the two youths, mistaking death for victory, chopped off his head and then downed many of the huge trees Humbaba had protected.
Gilgamesh and Enkidu certainly made an impression, because upon returning to Uruk, Ishtar, the fertility goddess, fell in love with Gilgamesh. In his blood-glory, Gilgamesh scorned the love of Ishtar, who ran to daddy and pouted and screamed until her father loaned her the Bull of Heaven to punish Gilgamesh.
The Bull brought famine and drought. He drank the Euphrates in a few gulps. He snorted, and the earth cracked before him. But Gilgamesh and Enkidu were in a blood-lust fury. They tore the Bull apart, and Enkidu threw the shank of the Bull at Ishtar claiming he’d tear her limb from limb if only she’d come down from the wall. Then Gilgamesh and Enkidu rode through the streets exclaiming: “Who is the most magnificent hero? Gilgamesh is! Enkidu is!”
Gilgamesh wrapped himself in the bloody skins of a lion and roamed the earth trying to hide from death. He became increasingly more violent and insane. In one passage, he found a boat that would take him to a man-god who Gilgamesh thought could advise him on becoming immortal. But instead of asking the boatman to ferry him across the lake to Utnapishtim, Gilgamesh furiously destroyed everything in sight. Having shown his power, he then demanded the boatman ferry him. But the boatman told him “How can I? You have destroyed the tools I need to do that.”
Everyone Gilgamesh talked to on his journey told him the same thing – death is inevitable. You are wasting your life in futility. But he would not listen.
He finally reached Utnapishtim and asked the man-god how he had become immortal. Utnapishtim related the story of an annihilating flood which killed all but him, his family, and the animals he brought on his ship with him. Realizing the horror that they had empowered, the gods rewarded Utnapishtim with god-hood – promising never again to destroy the inhabitants of earth. But, Utnapishtim assured, the gods would never again grant immortality. Death was now the inevitable finale of life.
Gilgamesh was relentless, so Utnapishtim challenged him to fight death’s younger brother sleep for only seven days. Gilgamesh reclined and immediately fell asleep from exhaustion. He slept for 7 days before Utnapishtim woke him.
As a parting consolation prize, Utnapishtim told Gilgamesh that at the bottom of the lake lay a plant that would return youth to whomever ate it. Gilgamesh dove into the lake and retrieved the plant. Instead of eating it right away, Gilgamesh decided to take it back to Uruk. In his hand, he finally clutched a tiny morsel of immortality, something that would allow him to return to Uruk wise and youthful. Yet he hesitated.
While on his return journey, Gilgamesh stopped by a lake and bathed. He carelessly placed the plant on the shore. Of course, the plant was stolen by a passing snake, which sloughed its skin and slithered youthfully into the ground.
My one lingering question after writing this analytical summary is why did Gilgamesh hesitate to eat the plant? Was it his final folly to hesitate? Or was this hesitation encouraged by his new-found wisdom? I can’t decide.
There are so many things to say about The Epic of Gilgamesh, and I had big plans for this post. But I see now that there’s no way to give even a small portion of Gilgamesh’s due in one post. So I will break this into a series of posts. More is yet to come. If you have anything specific you’d like me to discuss, let me know.
The Annotated Emma, by Jane Austen
Genre: Classic / Regency Romance
Reason for Reading: I’m rereading all of Austen’s novels. I’ve seen these Annotated versions and been tempted to try them out for a while, and this is the one I ended up picking up.
Synopsis: Emma is young, rich, beautiful, and the most important gentleman’s daughter in her neighborhood. When her governess marries and moves away, Emma must find another friend to entertain herself. She chooses Harriet Smith, the love-child of nobody-knows-whom, and boarder at a local country school for girls. Emma, well-meaning but naively self-important, makes a mess by foisting potential suitors upon poor Harriet, while Emma’s old friend Mr. Knightly tries in vain to check Emma’s eager naivete.
My thoughts: I’m a huge fan of Jane Austen. This is the third time I’ve read this novel, and I’ve seen all the movie renditions multiple times. I love watching Emma grow in wisdom throughout the story. And her romance is, in my opinion, the sweetest of those written by Austen. But I recognize that this is a difficult book for many people to get into because of Emma’s painful flaws and poor choices. Another reason that Emma is less appealing to some readers is because the narrator’s perspective is so unique. The POV focuses almost entirely on Emma’s perception of the world, to the point where it is easy to be mislead about what is really occurring since we are only seeing what Emma sees. Emma, especially at the beginning of the novel, tends to be very self-centered and aloof, and so is the narration of the novel. However, even though this POV makes the story harder to get into than the other Austen novels, this is Austen’s most appealing work for character study.
The annotations of this book are lengthy and detailed. Many interesting images and comments are included so that we can visualize antique customs, fashions, and furniture that Austen’s readers would take for granted. That aspect of the annotations was fantastic. The annotations also included a lot of character analysis commentary, such as “Emma thinks such-and-such is happening, which shows you how much she lacks self-awareness at this stage.” These annotations included a lot of spoilers (the reader is warned which annotations include spoilers, but sometimes these warnings were dropped out of the ebook version – so caution should be practiced if you’re reading the book for the first time and you have ebook format). These character analysis annotations were sometimes interesting, but mostly they told me things I’d already knew – either because I was familiar with the story or because I am sensitive to Austen’s nuances. Therefore, I think this annotated version is for you if 1)You are interested in having some historical perspective, 2)You are reading the book for the first time and don’t mind spoilers, 3)You’re re-reading the book, but don’t remember the details and nuances, and/or 4)You just love reading annotations. In other words, I am glad that I read this one book from The Annotated Austen series, because I enjoyed the historical perspective notes, but I probably will not pick up any of the others because I think I got the main idea now.
James and the Giant Peach, by Roald Dahl
Reason for Reading: To keep up with my nephew’s book reports
Genre: Children’s Adventure / Fantasy
After the tragic death of his parents, James has been living with his horrible neglectful, hateful aunts Sponge and Spiker. One day James is given a magical bag by a mysterious stranger – and in his excitement he trips on the root of a peach tree and dumps all the magic on the tree. Soon a peach larger than a house has grown out of the tree. James crawls into the peach and begins the adventure of a life-time.
This is another classic kids story that I read as a child and haven’t picked up since. I’m glad I had a reason to pick it up again, because it was really funny and silly and it had a lot of nostalgia for me. Dahl has just the right amount of humor and whimsy in his books. 🙂
After reading the book, my nephew and I watched the 1996 stop-action movie. It was a cute movie that followed the basic story-line well enough. But it was a bit too sentimental and it lacked the dark humor of Roald Dahl’s story. Cute for an hour’s entertainment, but nothing I’m going to watch again and again.